Monthly Archives: October 2020


At the end of our shopping hour, we have willed our representations into the cart, and expense will thus follow. But whatever our haggling has determined the price as being, we can’t reach the transcendental ideal; with a moue, we at last admit the emptiness, and come to a gradual awakening with the dog-ends of the day. What we have seen displayed and have carded for payment – ah, the plasticity of currency – we sooner or later card from our lives and discard, taking out of play. Descartes said Je pense, donc je suis, but Decart says Je dépense, donc j’essuie: I spend, so I wipe away. What I have thought into being I now unthink it out of being and time. And so it goes from carted to decarted.

And so boxes both small and big end up empty, and even the tired is retired. Decamp? Decart. And what is decart? According to Oxford, it means (a) ‘discard’ and (b) “turn out of, dislodge or expel from.” The first sense is directly related to discard – which, by the way, is a literal reference to card games: if you take a card out of play, you discard it (not display it). The second sense appears to be taken from cart, the kind of wheeled conveyance, which is from an old Germanic root.

But both senses of this word are empty now, decarted, their roots still grounded but their branches decorticated. And so it goes: nothing stays as it was; everything moves on. And as it passes, we follow. Il passe, donc je suis. There will be something new. There always is.

comme ci, comme ça, see-saw

“How are you doing?”

“Oh, comme ci, comme ça. You know, like a see-saw: up and down.”

“Wait. Is that where that comes from?”


See-saw. Does it come from comme ci, comme ça?”

“Nah, but that’s neither here nor there.”

“Did you look it up?”

“Yeah, I tracked it down. I went to Wiktionary and typed in see-saw and it said ‘Alternate spelling of seesaw.’ But when I went to the Oxford English Dictionary and typed in seesaw and it took me to the entry for see-saw.”

“Well, that’s kinda back and forth.”

“Yeah. But the etymologies were about the same. Wiktionary said it’s probably imitative reduplication, like teeter-totter, flip-flop, ping-pong, et cetera. Oxford also said ‘A reduplicating formation symbolic of alternating movement.’”

“Alternating. Well, so why isn’t it saw-see?”

“Same reason it’s not totter-teeterflop-flip, and pong-ping. We have a long tradition of using front-back rather than back-front vowels to signify the alternation.”

“Hmm… I feel kinda so-so about that.”

“Well, there’s always this and that. If you find an exception, it may seem like a big hoo-hah, but I wouldn’t shout ‘Whoo-whee.’ In general, it seems to start near and go to far, if the front of the mouth is near and the back is far. Just like this and thatneither here nor thereins and outs, and of course, in French, comme ci, comme ça: ‘like this, like that.’”

“Oh, right. That’s why it’s not ‘come see, came saw.’”

“Well, I’m glad you’ve conquered that one.”



Hoar is one of the legends of the fall.

As the autumn ages, and leaves turn and let go and settle together on the soil, the temperatures fall, too, and the donzerly dew crystallizes into a beard. The day is greyer. We are on the downslope of the year, when all that has grown and produced is ready to nourish people and animals and then turn back to nourish the earth itself. And you know the fall begins by the turning of the weather; and you know it continues by the turning of the leaves; and you know it grows old by the morning hoarfrost; and you know it has fallen all the way by the shadows of the shortest day. These are the legends that tell you the time of the fall.

We think we know the fall of people that way, too: the passions cool; the green freshness is gone; the fringe goes grey; and at last there is the shortest day and the slide into the shadows, when even the legends must fall. But it is not as simple as all that, for age can bring depth and understanding as well. We may lose our literal scotopia, our night vision, but we can see better in darker times; and our scotagons, our unseen nemeses known only through struggle, come to reveal their shapes to us. It is true that the course is not the same for all – some people grow in foolishness, some in complacency, some in selfishness, some in hostility – but grey hair is at least a sign of having had the time to grow in mastery and even nobility. Not all that has hoar is hoary.

This word, hoar (and its derivatives hoary and hoarfrost), is not new, that’s for sure. And we know where it comes from. In Old English it (in its old form har) meant ‘grey’ or ‘old’; it came from a Proto-Germanic root reconstructed as *hairaz meaning ‘grey’, and that in turn came from a Proto-Indo-European root *(s)ḱeh₃- ‘grey, dark’. If we follow the descending lines of these roots, we find many, including Ancient Greek σκότος (skótos, ‘darkness’, seen in words such as scotomata and scotopia), English shadow, and, more closely related to hoar, German hehr ‘noble’ and Herr ‘lord’.

And so it is. In the inexorable cycle of the seasons, the leaves turn and fall, and the frost forecasts a full shutdown. But in human life, although we also have our seasons, even with grey hair we are not necessarily dimming; we can still be fresh and may even turn over a new leaf.


Exeō, exīs, exit, exīmus, exītis, exeunt: I go out, thou goest out, she or he or it goes out, we go out, you go out, they go out. From ex ‘out’ and  ‘I go’ et cetera. “Exit rex”: “The king goes out.” 

Technically, our English noun exit comes from the Latin noun exitus, and our verb exit comes in turn from our noun, so Latin exit went from being a verb to being a noun exitus, then went out into English and again became exit and then came back to being a verb.

Latin for ‘goes in’ is init, by the way. And Latin for ‘comes out’ is ēvenit, and Latin for ‘comes in’ is invenit.

Here’s a poem.


Let us go out
as the green of the leaves goes out
and the red and yellow come out
and the warm summer sun goes out
and the morning frosts come out

Let us go out in it
while the letters go out
and the news comes out
and summer fashions go out
and new books come out

Let us go out and invent events
and watch the people come out
and watch the money come in
until the word goes out
and the furniture goes in

Let us get up, get out, go out
once we’ve found something to go in
and someone to ask us to come in
and as the moon comes out we will go in
and find what flavours friendship comes in

And then we will at last go out
as the night comes in
and the moon comes out
and all wintering beasts go in
and one last light goes out.


Many of us are stuck at home, and it’s sucking. It’s not so much working from home as living at work.* Imagine waking up and finding that your boss – and even your clients – have snuck in through the window… or through your computer screen. It’s mental assault, a kind of theft of personal time and space, a violation of the one place that a person should be able to feel not just comfortable but insulated and able to let in others only at will and very carefully. “WFH” has become hamesucken.

You may not know this word hamesucken – also spelled hamesoken and hamsoken – but in medieval times it was an important crime, and it remains on the books as such in Scotland. It’s a compound word; its parts are hame, which is Scots for home, which both come from Old English hám, and sucken or soken, from Old English sócn ‘visit, attack, assault’, from Old Norse sókn ‘attack’. So you could waggishly say that hamesucken refers to any visit to your home, but technically it’s assault on you in your home, or even just breaking into your home with intent to assault you – what is often these days called home invasion, though it could also just be (and most often has been) someone you know coming over to your place to kick your ass.

It may seem a bit much to say that having to deal with outsiders via the screen of your computer is like having a medieval English squire (or a modern Scottish one) kick your door open and serve a pottage of whoopass unto you. And indeed, when they are reaching through your computer screen, you can disengage – though perhaps under pain of derailing your career prospects (which may take longer to heal than physical bruises) – and there is no penalty to those who violate your inner sanctum (if there were, telemarketing would have been outlawed long ago). 

But what makes home home is not just the physical box of it; it is the protected space in your mental and emotional landscape. How can you be in control of your own space if you are required to cede control of some important part of it to bosses and strangers? And if you’re about to say “Simply set up a space in that spare room and make it your separate office,” consider that very many people simply do not have “that spare room” and aren’t going to go to the personal fiscal, psychological, and emotional expense of relocating to a new residence just to get one (talk about putting the cart before the horse!).

And so, while some people seem to think that WFH will be the wave of the future, there are many others who see things much more like those most famous Men At Work: 

Who can it be knocking at my door?
Go ’way, don’t come ’round here no more
Can’t you see that it’s late at night?
I’m very tired, and I’m not feeling right
All I wish is to be alone
Stay away, don’t you invade my home
Best off if you hang outside
Don’t come in, I’ll only run and hide

*Those of us who are our own bosses, independent, freelance, have a different position in all this; we have a level of control over this that those subject to the command chain of an organization do not, and we are also more used to mentally compartmentalizing. And even then, for at least some of us, it is still important to leave the home and go do work elsewhere in the wide world.


We cannot live a perfect live without a little flash of purple flying past.

In the things of ordinary days – walking, working, shopping, dining – our lives are filled with browns, greys, greens, blues, and whites, yellows at times, and the reds that make us turn our heads. And this is all well and good in the mean quotidian, but the long slender fingers of the day deserve the occasional amethyst ring; the plain prose page of labour and leisure is ornamented best with the flash of an iopterous lexeme.

Iopterous! This is not a linguistic term, not usually – it is better fitted for entomology than for etymology. But I can tell you what ancient wings fluttered to give it to us. You may recognize pter, from helicopter and pterodactyl (and archaeopteryx and lepidoptera and a few others); it comes from Greek πτερόν pterón ‘wing’. But io? Is it from Io, the cow-horned maiden of Greek myth, now the namesake of a Jovian moon? No. Or Ios, an island in the Cyclades? No. It comes from ἴον íon ‘violet’. What is iopterous is violet-winged.

And what is iopterous? A violet-crowned woodnymph, and a varied bunting, and a violet-backed starling. And more kinds of insects than I can count – butterflies, dragonflies, moths, wasps, mantises, beetles, stick insects, and who knows what all else: they all have varieties with purple wings, humble little bugs soaring the air on flitting flashes of the royal colour.

And, of course, many a little – or not-so-little – word, a lexical rarity drawn from the jewel-box to set in a sentence as its most precious thing. Use them rarely and use them wisely and they will glint and glimmer and flicker and flash in the dark letters and white background of your page; use them to excess and you have a swarm of bugs, and you will need a bunting or starling to feast them away.

asymptomatic, asymptotic

Come closer. I’d like to touch on something that has come around recently: two words that at first may seem the same but that have an important difference –asymptomatic and asymptotic. Like concupiscent adolescents, they appear to be kept apart by ma. But that’s not quite it…

Asymptomatic means ‘not having symptoms’; it comes from a-, ‘not’, plus symptom, plus -atic, and symptom comes from Greek σύμπτωμα súmptōma, ‘happening, accident, effect of a disease’, which is from συν- sun-, ‘together’, and πίπτω píptō ‘I fall’. So when you have symptoms and it seems like things are falling apart, well, they may be, but the Greek roots mean they’re falling together.

Asymptotic means, to quote the Penguin Dictionary of Mathematics (edited by John Daintith and R.D. Nelson), “Describing a curve (or surface) that has a line (or plane) as an asymptote.” More to the point, it’s the adjective of asymptote. And what is an asymptote? “A line related to a given curve such that the distance from the line to a point on the curve approaches zero as the distance of the point from an origin increases without bound. In other words, the line gets closer and closer to the curve but does not touch it. See hyperbola.” A further point, provided by the Oxford English Dictionary, is that “a rectilinear asymptote may be considered as a tangent to the curve when produced to an infinite distance.” In other words, an asymptotic curve will never touch the line… until infinity. But once the distance between them is small enough, it rounds off to zero.

And where does asymptote come from? Greek ἀ- a- ‘not’ plus σύν- sun- ‘together’ plus πτωτός ptōtós ‘apt to fall’, and πτωτός in turn comes from πίπτω píptō ‘I fall’.

Oh. Well. That kind of… fell together, didn’t it, at long last? In the fullness of historical time, asymptotic and asymptomatic are the same thing. In our time, however, they touch on different subject areas… one is mathematic while the other has that thematic ma.

All of which made me want to write a poem. So here.


Sometimes things fall together
Sometimes things fall apart
You turn me like the weather
But I can’t touch your heart

I’m having chills and sweating
My fever’s running high
These symptoms I am getting
Whenever you come by

I’m straight but you are curving
I won’t admit defeat
Love’s labours make deserving
In finity we’ll meet

My plight has made me plangent
That’s no hyperbole
Let me go on a tangent
And reach you verbally

I cannot be neurotic
About this number stuff
If you are asymptotic
I’ll just say “Close enough.”


“Early awake.”

That’s the definition of ærwacol. It comes from ær ‘early’ and wacol ‘watchful, vigilant’. It’s not a Modern English word; it’s Old English, which is to say Anglo-Saxon, and you can find it in an Anglo-Saxon dictionary. You can even find it in Old English texts (or else how would the lexicographers know of it?) – for example, “Đa cwæð se cyngc, ‘Leofe dohtor, for hwi eart ðu þus ærwacol?’” (“Then the king said, ‘Dear daughter, why are you awake so early?’”). But if you Google it, you will first find several pages of references to one thing: a play by Sean Dixon.

And that is how I encountered the word. I saw the play Aerwacol in 2000, staged on a railway handcar on disused tracks at Cherry Street and Mill Street (now when I go by there I cross streetcar tracks, pass a construction site, and transect a burgeoning neighbourhood). I watched it, I am happy to say, at 7 p.m., not at some horrid early hour. There is early rising in the play, if memory serves, but in particular Aerwacol is the name of a bird sanctuary that the characters find themselves in. (From personal experience of staying in rural areas where birds flock, I can tell you there is probably no surer place on earth to be ærwacol unless absolutely nothing wakes you up.)

I was reminded of ærwacol (the thing, not the play, though of course the play follows in memory) more recently when somewhere or other on the web I was offered an article on how to become an early riser.

Now, why the hell would I want to do that.

No, no, you don’t have to tell me, I know: “Early to bed and early to rise, makes a man healthy, wealthy, and wise,” as Ben Franklin said (“Or a milkman,” as someone else said, and then some kid said “A what?”). It is typically presented with the air of a personal habit of the utmost moral superiority. Productivity “gurus” are often quite fond of encouraging early rising. Get a head start on the day! Get those extra hours in! Be productive in the calm peace of the morning! Meet the day with things already done! Don’t be some indolent late-sleeper! Oh, and then make sure to get to bed early so you can meet the next day well rested!

Or I could sleep exactly the same number of hours, arise well rested when the sun is already about its business, set to tidying up all the messes that other people have made already (the early bird may get the worm, but the second mouse gets the cheese), fill my mind with the thoughts and observations of the day, and then, after most people are already sloped off into slumber, take advantage of the calm peace of the later evening to synthesize and produce and have it all ready before even the earliest early riser gets up. I also get to stay to the best part of parties and catch late-night TV if I want (don’t even try to tell me early-morning TV is better). And, as an added bonus, I don’t get to come off like I’m a superior person for doing it that way.

Look, I know my brain. I schedule my work day around its phases. It’s optimal for creativity in the evening, analytical work in the afternoon, and basic reactive application in the morning. There are many people who love writing first thing in the morning, and that’s great for them; when I do that, I generally don’t like the results. People are different, eh?

But think of all the famous early risers! Michelle Obama! Tim Cook! Richard Branson! Benjamin Franklin! Rachel Ray! Napoleon Bonaparte! Ernest Hemingway!

OK, but think of all the famous night owls. Barack Obama. Winston Churchill. Charles Darwin. Carl Jung. Keith Richards. Elvis Presley. Fran Lebowitz. James Joyce. Marcel Proust. J.R.R. Tolkien.

It’s true that there seem to be more CEOs and motivational speakers among the early risers, and I can see where being up in time to set the day’s agenda can be useful for people in some lines of work. But on the other hand, overall I much more enjoy the insights and output of the night owls. So you might as well be who you are, eh?

Still, I appreciate occasionally being ærwacol, when it’s of my own choosing. To run a race, for instance (on my 51st birthday I got up early-ish, ran a half marathon, and then headed straight from the finish line to the spa for a massage and a champagne brunch, and let me tell you, I’d be happy to do that again). Or to go skiing (only because otherwise you only get half a day on the slopes). Or to travel somewhere (so there’s still day left when we arrive). I even occasionally think about getting up and out just to take pictures in the golden hour after dawn when the light is on all those places that it’s not on during the other golden hour, before sunset.

think about it. I haven’t done it yet. I’m sure it’s nice, or something.

And I’m not so fond of involuntary being ærwacol, due to stress, or fire alarms, or eating the wrong food for dinner, or noisy birds. I do not feel happy or ready in those circumstances. Night owls are often associated with depressive tendencies, but let me introduce you to another Anglo-Saxon word: uhtcearu. From a famous poem called “The Wife’s Lament”: “hæfde ic uhtceare hwær min leodfruma londes wære” (“I had grief before dawn about where in the land my leader of men might be”). You can’t have uhtcearu without being ærwacol. And, at least for me, grief, like other stresses, is more tolerable later in the day.