When is it sensible to censure – or censor – something incendiary? Can we not be candid without someone getting burned? At what point does inflammatory speech and the smoke of burning crosses make a more offensive incense than the scent of burning books? For that matter, what is and is not censorship? Continue reading
This article was first published on The Editors’ Weekly, the blog of Editors Canada.
There are times when you want to make your prose more lively – if not flagrantly flippant then at least glancingly gleeful. Your words could land with a thump or splash or flit by with a twirl, but they must be sprightly. You want to write like a child. Well, no, not like a child – children aren’t very good writers; their sense of sentence structure is a bit squishy and scrawny – but like a child would write if a child had the skill of an adult. You want to be extra expressive. Continue reading
Jacob Rees-Mogg, the new Leader of the House of Commons in England, has lately been the subject of remark for his questionable sense of style. And I don’t mean his unfortunate sartorial choices. I mean his directives on English usage. He has, we learn, given his staff a style guide that is just not what a style guide should be.
Many people chalk up his preferences to traditionalism and preferring the old ways. But Rees-Mogg, often called “the Honourable Member for the 18th Century,” is not actually expressing preferences supported by tradition. Like most modern grammar numpties, he’s fancying himself more traditional than tradition. The point is not to hold back the march to modernity; it is to enforce an entirely recent invention of the past for the sake of maintaining a certain sense of superiority. A sort of Disneyification, if Disney were run by ghastly snobby boys. Continue reading
Let us say, for the nonce, that the author of a book telling people how to improve their English has declared, “More is commonly used in speaking of numbers; I believe greater would do better. No greater than a hundred appears to me not only more elegant than No more than a hundred, but more strictly proper. More is best reserved for mass quantities.”
Well. We English speakers have a very problematic relationship with our language. If something seems natural, simple, clear, and obvious, and if it’s something we heard people do all the time, we are very eager to believe a rule telling us it’s wrong. We’re prone to rule-seeking behaviour because we’ve learned to be insecure about our grasp of English’s rules – they’re so capricious and inconsistent – and a new rule also gives us an additional sorting and tidying tool… and something to whack people on the head with to show our superiority, too.
So, if the book came out at the right time and found the right audience, we would soon have people insisting that cookbooks that say “More than 200 of the best high-fat recipes” should instead say “Greater than 200 of the best high-fat recipes,” and that when inviting friends over you should say “The greater, the merrier”; news articles would fussily put “Observers estimated there were greater than 5,000 people in attendance” and “He has lived in the city for greater than five years.”
Does this sound far-fetched? It’s so incredibly near-fetched, it’s fetched right off your page… more or less. Continue reading
What many word lovers love most are books. But what some word lovers love most is, apparently, a tidy bookshelf. Everything in its place. A single possible spot for any book. And, similarly, some language lovers love a nice tidy grammar, one where there’s only one option at any given juncture.
I understand the inclination. I’m an editor, and I know that tidiness is valuable. But I also know that it needs to serve effectiveness. If your drive for tidiness reduces the expressive potential of the language and proscribes something that people do with good effect, I do not think you are doing the good work.
I’ve harped on this in many of my articles on grammar. Lately I’ve encountered yet another instance of forced tidiness that I don’t think serves a good purpose. On a couple of occasions, people have said that they learned that what as a relative pronoun subject always takes a singular verb. In other words, Good gin and a little dry vermouth are what makes a good martini is correct and, according to them, Good gin and a little dry vermouth are what make a good martini is not. Continue reading
Last fall I gave at talk for Editors Canada in Barrie, Ontario, on grammatical gender and pronouns. I forgot to add it to my blog then, so I’m adding it now! There are many people who have a lot of things to say about grammatical gender and natural gender and use of different pronouns for different people, and many of them are presenting “facts” that are no such thing. So I took the time to set forth the real facts.