Category Archives: word tasting notes

warren

Genealogy runs in my family.

Seriously: both my mother’s mother and my father’s father were very interested in it, and as a result I know the histories of some lines of my ancestors back to the 1600s and 1700s. It can be fascinating to follow it back. People typically visualize it as looking up a tree and seeing the branches, but when you’re doing the research it’s more like going down a bunch of tunnels that fork (and sometimes merge). And you can go down one quite far, and another not too far, and you’re constantly hitting dead ends and backing up and so on. It feels like you’re a rabbit in a warren.

Etymology is the same kind of adventure. You follow words back as far as you can go, through the tunnels of history, sometimes branching and sometimes merging. It’s one of the many fun parts of linguistics.

I inherited my interest in linguistics, too. I got it from my dad (along with some of his books – Pike’s Phonemics and Quirk and Wrenn’s Old English Grammar, oh, and Rehder and Twaddell’s German and Kritsch’s Modernes Deutsch and the American Bible Society Greek New Testament and… I’m sure some others as well, and some of them were even taken with permission). I reckon my interest in etymology might also have drawn on the family genealogy habit.

Let’s do a little genealogical tracing of a word so you can see for yourself. I think warren will do nicely.

A warren is, as I’m sure you know, a system of burrows dwelt in by rabbits, and by extension any other maze of tunnels or halls (and many a large old bookstore, come to think of it). But warren also used to be a word for a game preserve; the current sense narrowed down from that: it turns out that people used to set aside land specifically for breeding rabbits (do they still? I don’t know, but I grew up in a province much of which seemed to be set aside for breeding gophers). And from that came the ‘tunnel complex’ sense.

The ‘game preserve’ sense traces back to Old French warenne, which came into modern French as garenne (and also now means ‘rabbit warren’) but also as varenne, an old word for a game park (i.e., a place privileged people could go to try and kill free-ranging animals) that now survives in some place names. From those place names it has shown up in some family names, for example François Pierre de la Varenne (1615–1678), author of Le Cuisinier françois, one of the great bases of the French cuisine tradition (from which descended, centuries later, another book I have: the Larousse Gastronomique, which my father and mother gave me on my request for my 14th birthday).

Varenne – or, rather, its lexical progeny – also shows up in some English names. It is one of two (!) sources of the English name Warren. So yes, Warren is a cousin of warren. But there is another source for some of the Warrens: a German word warin, meaning ‘guard’. Warin is also the source of the German name Werner (and the English name Warner and, I think, the name Vernor, maker of a ginger ale still popular in western New York State, where my parents grew up).

But Warren is, originally (and still), a surname. I’ll come back to how it got to be a personal name. First, though, I want to keep following the etymology deeper into the tunnels.

This Old French warenne most likely traces to Proto-Germanic *warjaną (that asterisk means it’s reconstructed by inference – it’s the linguist’s mark meaning ‘unattested’; it’s sort of like those paleontological and archeological reconstructions of faces and beasties from bones and what we know about critters and phizogs). That word was a verb meaning ‘ward off’ or ‘defend against’. But warenne may also trace to *warōną, ‘watch, protect’ (how does this keep happening! – I know, it’s because people often mingle and merge similar-sounding words). One or both of those is also the source of warin, the other source of Warren, which means that the two Warrens are kissing cousins. Quite the family reunion, so to speak!

But wait, there’s more! The forked tunnels merge again farther back: both of those Proto-Germanic roots are descended from the Proto-Indo-European root *wer-, meaning ‘cover, heed, notice’ (I’m getting this info via Wiktionary, by the way).

It just so happens that this *wer- is the source of many words in different Indo-European languages. They all have a family resemblance, if you know what to look for. The r appears in pretty much all of them; there is often an n after it (or sometimes a d, which is the nose-stopped-up version of n), and sometimes a vowel between the two; before the r is typically an a or sometimes an e; and then there is the opening consonant. W is a fun one, because it can change to or from v and to or from gw (often spelled gu), and from there we can get g. This is why there’s garenne and varenne from warenne.

So let’s follow the tunnels back to the present from *wer-. Down one tunnel (via a Proto-Germanic word for ‘worry, care, heed’), we get to a group of words that includes garnish. Down another (via the Proto-Germanic *warnōną, ‘warn, be careful’), we get to warn. Down the *warōną line, we arrive at ware, wary, aware, beware, guard, and garage. Down the *warjaną line, we come – through various splits over time – to weir, garrison, guarantee, and warranty. And, as you now know, through both of those last two we arrive at warren.

And at Warren. Which was, as it happens, the family name of an early hero of the American Revolutionary War: General Joseph Warren, a physician whose spirited advocacy of independence gained him his commission as an officer in the colonial army. When fighting broke out with the British, the 34-year-old Warren, who was among the “minutemen” who alerted others to the arrival of British soldiers, demurred when asked to lead the troops, insisting that others with greater military skill do so, and instead served as a foot solider in the Battle of Bunker Hill on June 17, 1775 – where at least two of my ancestors also fought, one on Warren’s side, the other a Hessian serving the British. Both of my ancestors survived, and the Hessian happily settled in the new country (no hard feelings!). But General Warren did not survive: one of the British officers recognized him, shot him in the head, and brutalized his body. He became an early martyr to the cause of independence, and a painting of his death made some 40 years later by John Trumbull cemented his legacy.

His legacy was also cemented by eponyms. There are various counties and towns in the US called Warren, for example – one I think of right away is the little city of Warren, in Warren County, Pennsylvania; it’s a short drive south of Jamestown, New York, which, along with sharing a name with me, is also in the part of New York where my mother grew up.

And largely because of General Warren, the name Warren became a popular name for American boys. I have always known it first and foremost as a personal name – because it’s the name of a close relative: my father, who grew up an hour and a half’s drive north of Jamestown (and two hours north of Warren), in Buffalo (probably drinking lots of Vernor’s, I don’t know). My father, who is descended from that Hessian soldier who was definitely not the person who shot General Warren, though he might have fired in his direction for all we know. My father, whose gift of language and linguistic fascination – and, oh yeah, another book, a little volume of family genealogy hand-printed and hand-bound by his father – helped me do this fun run through the warren of etymology of warren, all the way back past garrisons and guarantees and guards and garages and warrants and warnings and so many other things to be aware of.

And today is his 80th birthday. Happy birthday, dad!

emmetropic

What do you see here? And with what eyes do you see it?

I see these words on my screen with eyes that are myopic and presbyopic, and when I look at what else my screen shows me, my mind tends to hyperopic. I mean that I am nearsighted – I have been since my childhood, when I decided that I would look better with glasses (I was right) and so started reading books close up in low light, and I got what I wanted – and I now have eyes that have gotten old and don’t have as great a range of focus – so I have several pairs of glasses, depending on what I’m planning to do with my eyes, so accessorize your eyes! – and yet when I read what the web sends me I tend to see far-away things with more clarity than nearby ones: I am figuratively farsighted. (However, sometimes what I see makes me turn away and feel sick.)

In politics and planning and other matters of the world it is supposedly good to be farsighted, but of course you need to see near as well, and it is best to have a good range of focus. So really you need to have good focus at all ranges. And you cannot turn away, no matter how sick it makes you feel.

Is there a word for that?

Let’s look at this word emmetropic. Do you discern bits? Your eyes may settle quickly on tropic – we all like to think of warm climes at times, especially if we can’t go to them and it’s not so hot where we’re at – and then you are left with what emme might be. If it were emmet it could mean ants, but I don’t want to see tropical ants, if you don’t mind. How about the Greek root ἐμέω, which shows up in emetic? In that case, since tropic actually refers to turning, and since ἐμέω means ‘I vomit’, emetropic would mean ‘turning and vomiting’. But that’s one m too few, and one emesis too many.

Look again. Broaden your view to take in words such as myopic, presbyopic, and hyperopic, and narrow it from tropic to opic. You see that emmetropic has to do with eyes and sight, and it splits at a seam that’s not at the syllable boundary – sort of like how helicopter is from helico- ‘spiral’ and pter ‘wing’, not from heli ‘sun’ and copter‘absolutely nothing that the Greeks ever talked about’.

OK, but if it’s emmetr- plus opic (and it is), what is emmetr-? It is from ἔμμετρος emmetros, from ἔν en ‘in’ plus μετρος metros ‘measure’. So emmetropic means ‘having sight in [good] measure’, or ‘having emmetropia’, where emmetropia is ‘sight in [good] measure’ – in other words, having eyes that are in focus at all distances (save, of course, too damn close, which we can define as so close you might accidentally get what you’re looking at in your eye). The New Sydenham Society Lexicon, quoted by the OED, defines emmetropia as “The normal or healthy condition of the refractive media of the eye, in which parallel rays are brought to a focus upon the retina when the eye is at rest and in a passive condition.”

Parallel rays, like parallel lines, like the parallel tracks of a metro or the stems of mm. And of course as you look closer and your eyes change focus, the lines converge. Which is good. Because parallel lines never meet, and everything that involves seeing well enough to change anything eventually involves getting close enough to meet.

And how is that realized with our real eyes? …We’ll see. Just keep focus and don’t turn away.

dwell

Are you dwelling on what you’re dwelling in?

These days we seldom tell of dwelling, unless in a compound such as city-dwelling. The word dwell with its related forms is dwindling; it seems almost to have gone astray somewhere. We talk of where we live, of our home, of our house, of our residence. We reside there. But dwell? It’s more of a special-use word.

It has a holy overtone to it, dwell, thanks to its frequent use in the King James Bible. “Surely goodness and mercy will follow me all the days of my life: and I will dwell in the house of the Lord for ever,” the 23rd Psalm concludes. The 24th Psalm tells us “The earth is the Lord’s, and the fullness thereof; the world, and they that dwell therein.” At the time of that translation, reside had not overtaken dwell, nor was live so commonly used for this narrower sense.

But as Tennyson wrote,

In me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great.

All is not holy with this word, and its past is not so blessed. Let us turn from psalms to a palindrome:

Lewd did I live & evil I did dwel.

You know that’s old, not just because it cheats with the & but because it spells dwel with one l, a form disused for a half a millennium now: our old monosyllabic Anglo-Saxon words ending in /l/ have all doubled it up, hell, well, bell, smell, fill, kill, fall, roll, dull, and so on, dwelling just a little longer with the benefit of more easily distinguishing lfrom any other slender grapheme.

But how does one dwell evilly, whether with one l or two? Is not a dwelling good, or at least neutral?

In fact, dwelling was, at one time, more evil than good. We would do well to dwell on this detail for a few minutes.

It is not that we were all nomads and did not want to be boxed in. It is that the word itself was in a bad neighbourhood. We get a clue to this in the fact that we can speak of dwelling on something, which is related to the fact that dwell also refers to the time a train (especially a subway train) spends stopped in a station. Dwell meant – and in some usages still means – ‘tarry’, ‘hang back’.

Which is not intrinsically evil, of course. But if you are not going forward, then you are not going forward on the right path, a fact many a subway rider will be sensitized to if their train dwells a minute too long. And the relation between “not going anywhere” and “not going on the right path” is the core of the early history of this word.

A millennium ago, to dwell someone was to lead them astray, and so to dwell yourself – or just to dwell – was to go astray. This sense of the word came from a Proto-Germanic word reconstructed as *dwaljaną meaning ‘delay’ or ‘hold up’ or ‘be confused’ or ‘perplex’ and a closely related word *dwelaną meaning ‘go astray’. And that is the ambivalence at the root of dwell: to go no rightly, or just not to go rightly.

The English use of dwell (or earlier spellings) meaning ‘abide’ or ‘continue in a state, place, or action’ was established by about 800 years ago, and there it has dwelt ever since. It gained the sense ‘reside’ by the 1300s, and dwelling meaning ‘residence’ was in use before 1400. The usage dwell on meaning ‘linger’ or ‘brood over’ or ‘sustain a musical note’ was in place by the 1400s. And no one has seen the ‘lead astray’ or ‘go astray’ sense since about the same time. You may recall being told, in your childhood, “If you don’t know where you are, stay there”; the history of these two senses supports that: the ‘stay’ one has been found, and the ‘go’ one has been lost.

And that is how a word can have meant both ‘go astray’ and ‘stay at home’. Words are full of possibilities, and poetic words even more so, as Emily Dickinson wrote:

I dwell in Possibility—
A fairer House than Prose—
More numerous of Windows—
Superior—for Doors—

Of Chambers as the Cedars—
Impregnable of eye—
And for an everlasting Roof
The Gambrels of the Sky—

Of Visitors—the fairest—
For Occupation—This—
The spreading wide my narrow Hands
To gather Paradise—

For Paradise is not a fixed, complete, perfect place and state; just as infinity is always increasing at infinite speed, or it would not be infinity, creation must ever be creating, truth must be ever adapting and updating, and meaning must ever be multiplying to stay meaningful. And if this means that it encompasses movement and non-movement, good and bad, so be it.

It also encompasses you being in something and something being in you. As we are learning, there is incessant discovery and revision in our dwellings and dwelling in us. Denise Levertov brought us the truth in “Matins”:

Marvellous Truth, confront us
at every turn,
in every guise, iron ball,
egg, dark horse, shadow,
cloud
of breath on the air,
dwell
in our crowded hearts
our steaming bathroom, kitchens full of
things to be done, the
ordinary streets.

Thrust close your smile
that we know you, terrible joy.

hopey

This word looks like it is to hope as dopey is to dope, or as happy is to hap (which, if you’re not sure, is roughly synonymous with luck), or as snippy is to snip, or as jumpy is to jump.

And yeah, it is.

But wait! We have a word hopeful. Why do we need hopey if we have hopeful?

Well, heck. Why do we have both cheerful and cheery? Why both lustful and lusty? Why both masterful and masterly?

And why both bountiful and bounteous, both joyful and joyous, both dutiful and duteous, both deceitful and deceptive, both lawful and legal? Each of these pairs of words could be covered by one word with a wider ambit of sense. Frankly, they’re used in overlapping ways as it is.

But why do you have so many different mugs in your cupboard? Why so many spoons of different designs in your drawer? Why so many functionally fungible belts or ties or scarves in your wardrobe? Why do I have both a chef’s knife and a carving knife, why do I have wine glasses of at least eight different shapes, why do I have almost a dozen 50mm lenses that can go on the same camera?

I mean, some languages get by with a spare, konmari-style vocabulary, while English gets by with a vocabulary that is as restrained, elegant, and tidy as the mansion of a millionaire kleptomaniac hoarder. But there’s always somelittle difference between words, even if just a subtle one of tone or form.

Don’t tell me you can’t sense a difference between hopeful and hopey. Heck, the rhyme with dopey and the echo of happy give hopey a distinct tone right away. Hopeful is a clear future-oriented state: you have an expectation, or at least a sense of probability, that some particular desire will be fulfilled. Hopey is more of… a mood, a general disposition. You feel good about how things are going. There was a lot of that when Barack Obama first took office, for instance (especially thanks to his famous HOPE poster). But any time you’re in a mood that’s the opposite of dreading or worrying…

Of course, we know the distinction between truthful and truthy. There is the risk of hopey leaning the same way, but don’t forget that truth is something that is conceived as externally verifiable, whereas hope is an internal state, and it’s harder to say how it would be faked. Maybe just weakened: “I wasn’t entirely hopeful… just hopey.” But that doesn’t contradict the more general sense.

Don’t bother pulling out (or surfing to) a dictionary to check what it says; you won’t find hopey in most of them. But it does exist as a word! You can find it on Urban Dictionary (I mean, yeah, you can find a lot of completely fake words there too, but…). And it has shown up in a few other places. I claim no invention. It’s out there. Can’t you feel it?

Doesn’t everyone want to feel hopey? If we can find a reason to?

gemütlich

This word is at least partially adopted into English, but, frankly, I don’t want the English version. The English version uses only English sounds and I do not find “ga-moot-lick” to be a fitting sound for this word, or even for that matter not unpleasant to listen to. And “not unpleasant” is the heart and soul of this word. So it’s not a hollow “oo” in the stressed syllable, it’s that front round ü vowel, so much cozier and closer, and it almost forces you to purse your lips as if to kiss. And the final consonant is not a hard back “k” nor even the back fricative we know from ach; it’s the German “front ch,” as in ich, made with the blade of your tongue arching towards the ridge of your palate like a cat’s back arching towards your shinbone.

Whisper the two versions: “ga-moot-lick” sounds at best like a Scottish invitation to a date and at worse like a farmer planning nefarious deeds in a barn; “gemütlich” sounds at best like barely bridled desire and at worse like someone bidding good night and about to blow out the candle. Well, at least to my ears.

I first learned this word from German Made Simple, a book I bought in high school at the Banff Book and Art Den. Its chapters follow a certain Mr. Clark, who lives in a suburb of New York (going by the description, it must be a ways out, at least 40 minutes on either the LIRR or the Metro North) and who loves Germany and German things and the German language. In chapter 9 we get a dialogue between Mr. Clark and a certain Herr Müller about the city and the suburbs:

M.: Warum haben Sie die Stadt gern?
C. In der Stadt gibt es Bibliotheken, Theater, Museen, Universitäten, usw.
M.: Es gibt auch Fabriken, Lagerhäuser, Lärm, Rauch und auf die Strassen Menschenmassen, die hin und her laufen.
C.: Sehr richtig! Deswegen wohne ich lieber in der Vorstadt. Hier ist das Leben still und gemütlich.

M.: Why do you like the city?
C.: In the city there are libraries, theaters, museums, universities, etc.
M.: There are also factories, warehouses, noise, smoke, and on the streets crowds of people who are running back and forth.
C.: Very correct. Therefore I prefer to live in the suburbs. Here life is quiet and comfortable.

There. You see it? Gemütlich is translated as comfortable. Though really it has an overlapping but not identical set of associations. It could equally be translated as cozy, snug, pleasant, or homely – or friendly, cheerful, or easygoing. And in origin it relates not to snugs or comforts or homes or pleasing or cheer or friends – not directly, anyway. It comes from Gemüt, which means ‘mind’, ‘soul’, ‘heart’, or ‘feeling’. You can take it apart further by plucking the ge off it (which is a derivational prefix) to get a root that is also the source of modern English mood. (Which is funny, because it’s not very gemütlich to be moody, and less still to be in a cozy space with someone else who is moody.)

But, if you don’t mind, I would like to take issue with one thing Mr. Clark (if that’s his real name) says. He prefers the suburbs because life is “still und gemütlich,” by contrast with the city. I won’t argue the point over “still” (well, except for when there’s a pandemic lockdown, and even then the city is less quiet than the country, though probably not than the suburbs – for one thing, there are no lawn mowers in high-rise neighbourhoods). But gemütlich?

Listen. I’ve lived in the country, and I’ve lived in small towns (such as Exshaw and Banff, Alberta), and I’ve lived in the suburbs (in newer cities – Calgary, Edmonton – and older – Medford and Somerville, suburbs of Boston), and I’ve lived, and live now, right downtown. I associate many characteristics with the 4500-square-foot house we lived in at the foot of a mountain, but gemütlich is not one of them. A small town can be gemütlich, but it can also be a bit stifling; I’m not sure if feeling like everybody is always up in your business is really cozy, friendly, charming, comfortable, et cetera. (I mean, you do you.) A suburb, cozy? Let’s see. You’re in a house that may be small or large but probably has at least two floors and is certainly homey and all that, and maybe you’re on a cul-de-sac and it seems very comfy, but you’re also probably going to have to drive somewhere to do anything, and you’re in the middle of a sprawl of houses that would take a long time to walk out of. You’re far from the madding crowd, maybe, but you’re also where the madding crowd goes to eat dinner and sleep before heading back to mad some more the next day. It’s kinda cozy, but…

…you know what makes me feel most comfortable and safe and snug when I want to get to sleep? The sound of a thrashing rainstorm on my window. The contrast between outside and inside really makes me feel snug. And what makes me feel cozy and warm and calm and gemütlich is, in part, having a thousand square feet of calmness full of books and music right in the middle of the city, where I can look out my window and see the madding crowd (when there is one) and at the same time not be in it. I could go down and be on the street in the middle of everything – there are two theatres a two-minute walk from the door, and grocery stores only twice as far, and all those other city things too, including hospitals should I need one – but when I don’t choose to, I am as snug as a bug in a rug, and embraced by the non-interfering presence of more than a thousand people within a hundred metres of me, all of them in home spaces equally gemütlich.

Sure, not everyone likes it. Different things for different people. But it suits my mind and it suits my mood.

gadzooks, zounds

Gadzooks! Zounds!

Be careful with those words. They’re ancient holy relics. They’re soaked with a divine spirit. They’re broken bits of oaths, pieces of sacred words of eternal commitment, now used as playthings. I’ll show you… but not quite yet.

We don’t utter oaths as exclamations and imprecations and expressions of emotional intensity much anymore. Most of us are more likely to call on sex and other bodily functions to express dismay at the arc of a crystal glass to a tile floor or a steel hammer to the wrong kind of nail. In general, we feel one of two ways about names for the divine: a few of us consider them so inviolable and sacred that we would never use them to express shock, anger, or other emotions of the edge; the remainder of us seldom consider them of enough account to be satisfactory for the purpose. But there were times when it was otherwise. Continue reading →

kenophany

Yesterday, my Twitter friend @theoriginaledi drew my attention to this video by Hank Green, in particular the part between 2:42 and 4:14:

Hank Green says, in this part,

There is the sudden realization . . . that your life is not gonna be the same anymore, and there is no way to reacquire that sameness. . . . It’s such a specific feeling, this moment where you suddenly realize that you don’t know what the future holds anymore, and the story you’ve been quietly, silently telling yourself about what the future is going to be like, that story just… falls apart. It’s not there anymore. It doesn’t get replaced with something. It’s just gone. I wanted to know what this feeling is called, because it seems so specific that there should be a name for it. I’ve experienced it a bunch of times. I could not find a word for this in English.

Hank says that he asked Susie Dent, and she replied, “I’ve been wondering similar for days. I keep returning to ‘wuthering’: a rushing or raging that you’re powerless to stop. Emily Bronte described it as ‘atmospheric tumult’.” Hank allows that “this isn’t quite it”; he’s willing to make it it, but he’s open to suggestions.

I think the word required is kenophany.

That’s not what I replied to Edi right away. I first said, “Ah, a peripeteia and anagnorisis into the postmodern moment: the Wile E. Coyotification of life, when you look down and realize you’re in midair, and all the metanarratives are empty. The dark side of satori. Postmodern philosophers and Zen Buddhists write about it.” And I think Wile E. Coyotification has a certain something, but Wile E. Coyote had an assortment of calamitous moments, not just the one where he runs off a cliff and doesn’t realize at first that he’s in mid-air. Besides, at that point he does have a sense of a future. It’s a revised sense, but the gravity of the situation is clear and the consequences proceed inevitably.

No, this is more “the dark side of satori.” Allow me to explain. Satori is the moment in Zen Buddhist meditation where you achieve insight, understanding, awareness of the true nature of things; it comes from the Japanese verb satoru and it means ‘comprehension’ or ‘understanding’. But the true nature of things is that – well, I mean, one can’t actually put it in words, but it’s the lack of inherent essence; it’s what in Japanese is said mu, sometimes translated as “void,” but void has strong negative emotional connotations that are not intrinsic to it. It’s just that there’s no there there.

Which can be very disconcerting as an idea to many people. It’s similar to how Fredric Jameson described the postmodern: “incredulity towards metanarratives.” (By the way, if you’re about to rant about “postmodern thinking” as some kind of epitome of the airy stupidity of ivory tower academics, don’t bother; you’re just being lazy – what you think of as “postmodernism” has nothing to do with what it actually is. If you had an accurate idea of it, you wouldn’t be ranting against it, you’d be recognizing in it some of the folksy wisdom your grandparents dispensed about not structuring your life around something just because it’s a fancy story that sounded good.) But since we like to have stories in which we follow a clear path from A and go to Z and make overall sense of everything, we are very resistant to the idea that there is no path, there is no such thing as following, “clear” is our imagination, and “we” aren’t a single coherent unchanging entity either. It’s all… beyond our ken.

Hence the “dark side”: the dreadful feeling of emptiness and void, when in fact it’s just nothing – or, well, not nothing either, but not something; there is no intrinsic quiddity. And then there’s that ken, as in ‘knowledge’; it just by coincidence happens to have a sound-alike in Japanese. A synonym for satori, you see, is kenshō. That means ‘seeing the true essence’ or ‘seeing nature’. Ken means ‘seeing’, which is a bit of a pity since shō (‘nature, essence’) sounds like show, which is the other side of seeing.

Imagine, a viewing of understanding: a ken show. But can’t we make a fancy single word of that? Well, how about pulling in the Greek φαίνω, ‘I shine, I appear’, whence –phany as in epiphany and theophany? From that we get kenophany.

Oh, but the ken in kenophany is not from Japanese ken – that wouldn’t work. And it’s not from English ken (meaning ‘understanding, awareness’) either. No, it’s from Greek κενό, which means ‘void’ or ‘emptiness’. So kenophany is a showing – or a coming to see – the emptiness, the lack of an actual overarching structuring narrative. It’s the moment of the carpet being whipped out from under your feet, and it turns out that there is neither a floor nor not a floor beneath it.

I think we all have had our kenophanies, moments where the storyline we were following is just gone, and nothing is there to replace it. It’s like in the song “La marée haute” by Lhasa de Sela: “La route chante quand je m’en vais; je fais trois pas… la route se tait. La route est noire à perte de vue; je fais trois pas… la route n’est plus.” (“The road sings as I set out; I take three steps… the road is silent. The road is black as far as I can see; I take three steps… the road is gone.”)

It seems inevitable to me, this word kenophany; it’s so neatly suited to this meaning and this moment.

But it doesn’t exist.

Yes, it does. It just didn’t exist until now. You won’t find it in a dictionary or anywhere else as such. I assembled it from the appropriate bits. That’s a thing one can still do with these classical Greek and Latin Meccano pieces. That’s not to say that I invented it; it was already there, just waiting to be put together. And it’s not to say that I didn’t invent it; no one else put it together. But who, then, is this “I” anyway? You won’t get the same results if you check back in a minute.

empyre

Comme on dit, l’empire empire.

That’s French for “As they say, the empire gets worse.” And if the empire’s failings are in the sky, you could say “L’empire empire dans l’empyrée” – “The empire gets worse in the empyrean.” Which is a phrase that could get some air from time to time.

But look at today’s word: empyre. What is its sense? Whence does it come? It looks like empire, but in some rakish old style, like vampyre and, um, umpyre; it looks like pyre, which is the same flame as burns within empyrean (celestial bodies are great balls of fire, after all); but somehow there is something… impure. Empirically, it seems impaired.

Well, it is imperfect; in fact, it is obsolete, not in use since about the time of Shakespeare’s birth, and of course spellings at that time were as fluid as fashion. But in its time it was neither imperial nor empyrean. It came from French, yes, but from that other empire – the one that means ‘get worse’, infinitive empirer, descended from Latin, formed from in (the one that connotes increase) and peior ‘worse’ (whence our pejorative).

Empyre has a pair, a modern English word descended from the same roots and meaning about the same thing: impair. But (o Fortuna imperatrix mundi) thanks to fortune impair has tricks and is mundane – we use it now as much to mean ‘impede’ or ‘intoxicate’ or other things that one might infer from terms such as impaired driving. We don’t mean specifically that the driving is made worse; well, we do, but we mean that it’s done by a person whose overall functioning is impaired, made worse (by intoxication, of course). Whereas if we said their driving was empyred, we would mean just specifically that it had been made worse. And if someone beleaguers you, you can say “You are empyring my day.” And if they hear “vampiring” it won’t go wildly astray.

And we can look at history and see how many empires have empyred our world, and we can say that incidents and accidents (and hints and allegations) empyre our lives. And if the form of this word makes us think that we want to toss some things on a pyre, well, so much the better – a word is best if it has extra flavours cooked in.

moue

There are many words that, in saying, intend to imitate the sound of what they name – moo, to give an obvious example – but name me a word that, in saying, imitates the gesture of the thing it names.

Name me another word, I mean. Because today’s word is the obvious example. Yes, you can say “moue” without making a moue; you can even say it with your lips barely parted. But if you really emphasize the gesture, you moue. And if you make a moue and try to say something while doing so, the word you’ll say is most likely moue. It’s like if we called an air kiss a mwah (which sometimes we do).

A moue can be any sort of expression that causes the lips to purse outward: duck face, a grimace of pain at a blow to a sensitive part or of sympathy at seeing someone else receive such a blow, the face some wine tasters make while slurping the wine in their mouths so they can declare that it tastes like leather, tobacco, wet gravel, or cat’s pee. But most often it refers to a pout, often a playful one.

Of course it’s a French word. Making a pouty face playfully is on page one of the French gestural phrasebook. And in case it’s uncertain, I will assure all and sundry that moue is pronounced exactly the same as English moo, even when a French person says it: moue is the French way to spell the sound that in English is spelled moo.

And so you might expect that moue arose when some writer, lacking any more arbitrarily formed word, decided to describe a pursing of the lips with a gestural imitation. You might not expect this word to have an etymology that connects it to other, not identical forms.

So sorry to disappoint you, then. Don’t pout! The forms are similar. The Old French ancestor is moe, and that came not from Latin but from Frankish, a Germanic tongue, where the word (still meaning ‘pout’ or ‘grimace’) is conjectured to have been mauwu. That, in turn, is expected to have come from Proto-Indo-European *-mewH meaning ‘push away’.

So perhaps – perhaps – the word originally did not come from the gesture. Perhaps! But when you have a word that is close enough in meaning, and so well represents a particular sense, it is reasonable that the usage might have shifted and/or narrowed to match what seemed most suitable. It’s a thing we do from time to time.

And now, to make up for any deficit of charm, here is the poem by Stéphane Mallarmé that made me think of this word today.

Rien, au réveil, que vous n’ayez
Envisagé de quelque moue
Pire si le rire secoue
Votre aile sur les oreillers.

Indifféremment sommeillez
Sans crainte qu’une haleine avoue
Rien, au réveil, que vous n’ayez
Envisagé de quelque moue.

Tous les rêves émerveillés,
Quand cette beauté les déjoue,
Ne produisent fleur sur la joue
Dans l’œil diamants impayés
Rien, au réveil, que vous n’ayez.

Here’s a translation of sorts, not trying to keep the rhyme (translations are always imperfect… sorry!):

Nothing, on waking, you never have
Considered with a sort of moue
Worse if the laugh should shake
Your wing upon the pillows.

You sleep indifferently
Without fear a breath would admit
Something, on waking, you never have
Considered with a sort of moue.

All the amazed dreams,
When this beauty foils them,
Do not give a flower to the cheek
In the eye diamonds not paid for
Nothing, on waking, you never have.

twill

Take a bit of twill fabric and rub it between your fingers. It is not so smooth as satin, nor even as a plain weave; it is rough, it has ribs, it has traction. Whether it be cotton, or wool, or even silk, it grips. It does not shine, nor does it whiffle like corduroy as you ruffle it, but ’tis rugged and ready: ’twill serve. It is not a thrill from the mill, but it is twill.

How is it made? It starts one way but then skips ahead. Where in a plain weave your weft (cross thread) goes under your warp (long thread) and then over and then under and then over, in twill it goes under and then over and then over again, and sometimes again: a repeat, a three-peat, maybe even a four-peat. Sometimes it goes under more than once before going over. And the next thread is offset by one alternation, so that a diagonal pattern is formed.

Want to find some twill? Skip your suits and head to your jeans: denim is made with a twill weave. It’s not that twill is never used for formal wear – you’ll see some on the couture runways – but it’s more rugged and less prone to showing stains and smirches.

And the name, twill? So many names of fabrics come from places – denim is from serge de Nîmes, satin is from Zayton (the medieval Arabic name for Quanzhou), tulle is from Tulle. But twill comes from two places: Rome and England.

OK, I’m going diagonal; it’s obviously not a blend of those two place names. It’s just that it started as Latin bilix, from bis ‘twice’ and licium ‘thread’, but then it skipped ahead and turned that bi into two to make Old English twili, which became twilly, which became twill. (There was originally a thrili to go with twili, but it’s all just called twill now.) It’s sort of like how we went from repeat to three-peat – and then back to two-peat.

Two-peat? Yes, that’s in use; I wrote about it years ago. You are free to dislike it, but it is in use, especially among a set of people who wear twill more often than satin, and like it or not, it will serve. And if you will call twill twill, as one does, you have one less basis for objecting to word forms developing diagonally… as ’twere.