Tag Archives: dictionaries

recombobulation

You know what discombobulation means, right? It’s a jokey term meaning ‘upset, confuse, put out of order’. It comes from a 19th-century American fad for fake-highfalutin words. Absquatulate (‘leave, get out’) is another such. Discombobulation starts with clear, well-known parts – dis indicating an undoing, com indicating joining or togetherness – and ends with ation, which makes it clearly a noun formed from a verb of doing or making, and if you know your Latin bits well you may also recognize the probably diminutive ul before that. But in the middle is this bob that is just… um a thingamabob. Probably the same bob as in thingamabob, even. The earliest form of discombobulate, seen in 1825, is discomboberate; in 1834 there’s a discombobracate. But by 1839 we were seeing discombobulation for the noun.

Anyway. The general logic of English derivational morphology tells us that if something can be discombobulated, it was probably previously combobulated, and it may by implication in the future be recombobulated (provided the discombobulation isn’t irreversible). Neither of those latter two is in any standard published dictionary, but so what? They’re no less understandable than discombobulated, and I for one am perfectly gruntled by them. Continue reading

Who let that word into the dictionary?

Originally published on The Editors’ Weekly, the blog of Editors Canada

Every so often, Oxford or Merriam-Webster will release a list of words recently added to one of their dictionaries, and many people become grouchy at what they see as awful — or even fake — intrusions that have somehow been bootlegged into the hallowed halls of the official lexicon. You may even agree that they are right to be leery of such items as bae, selfie stick, lolcat, subtweet _and acquihire, all recently added to Oxford. The role of the dictionary is to be a signpost, after all, not a weathercock that flips with each language fad that blows through.

Fair enough: We look to the dictionary to know what the accepted words and meanings are. If we want to know what some asinine adolescent thinks should be a word, or thinks an existing word should mean, we go to Urban Dictionary, which is the great graffitied bathroom wall of the language. But when you put up a signpost, it has to point to the actual correct way to the destination, not to where you think they should have put the destination or the road to it. It also has to be updated with new signs when new towns or subdivisions are built. You might want to go to one of them, after all — just as you might want to know exactly what all those young people mean when they say, “My bae subtweeted me with a lolcat.” Where else than a dictionary will you find out? (You don’t want to ask one of those youths. They will just roll their eyes at you.)

A dictionary needn’t include every passing bit of slang that sprouts in the morning and withers in the afternoon, of course. A word has to have some staying power; it has to be well attested in published texts. Which means that you, dear readers, are the real bouncers at the language pub. As editor Sarah Grey told editors at the recent EAC conference, paraphrasing lexicographers Kory Stamper, Ben Zimmer and Steve Kleinedler, “If you’re waiting for dictionaries to say a word is OK, you should know that they’re waiting for you to start using it.”

It is always a judgment call, of course, as the good people at Oxford tell us. Some words don’t last as long as we think they will. Weblog is already archaic, shortened down to blog, and it has been a long time since anyone other than my father said zowie or anyone other than Prince Philip said gadzooks. But others have more staying power. As Ammon Shea tells us, a century ago Merriam-Webster’s Third Collegiate Dictionary added a large number of slang words, which some saw as disgraceful weeds in the language. Among them were several words that likely passed without remark in my opening paragraph — grouchy, awful (meaning bad), fake, bootleg and leery — along with bouncer, pub and many more.

A more delectable dictionary

Imagine a cookbook that only gave the ingredients for each recipe, with no instructions on how to put them together. Many dictionaries are like that: nothing but bare-bones denotative definitions for the words.

Now imagine a cookbook that included not just the instructions, not just different variants on how you can make the recipe, not even just menu suggestions and beverage matching suggestions, but also other recipes it would go with or remind you of or definitely not go with, and even things the food could or would make you think of – other dishes it would remind you of, other times and places and people.

I would like to have a dictionary that does all that for words.

Of course much of that is individual. Every word is one of Proust’s Madeleines, a key to places you have heard it and seen it and used it before. The way it sounds and how you feel about those sounds will provoke you differently from how it provokes others. But there are several aspects of a word’s extended meaning that users will have in common. Most of them show up in one kind of dictionary or another, but not all, and not all in the same place. Let’s look at how a dictionary that covers a fuller ambit of meaning and effect would handle… let’s say the words dude and fellow.

Connotation

An important dimension of words is what they say about the speaker, the hearer, the subject, and the relation between them – what effect the speaker is trying to have on the hearer and what he or she is saying about what’s going on between them and any third party spoken of.

dude: Casual, informal. Friendly or mildly contemptuous, depending on overall relationship constructed. As an emphatic vocative, expressing some kind of amazement within a pointedly informal frame. (Read this good article by J.J. Gould for more.)

fellow: Intended to be neutral, but can be more formal, often with a taste of condescension.

Register

Register is a key concept in sociolinguistics: your choice of vocabulary and syntax bespeaks a specific situation – it’s like putting on different clothes for different places and activities: clubbing, visiting family, working at the office, working in a hospital, etc. Words are known by the company they keep. Most dictionaries won’t go beyond saying something is formal, or colloquial, or medical jargon, if they go that far. But there is always more that can be said.

dude: Tends to be laddish, often with a sense of drug, surfer, or frat-boy culture; cowboy speech is also possible. Cannot be used for formal registers, except in archaic senses (meaning dandy or greenhorn).

fellow: Broadly usable, but in youthful and casual contexts may sound old-fashioned or formal. Suitable for friendly or pseudo-friendly versions of more formal speech. As a title (e.g., Fellow of the Royal Society), suitable for the most formal speech.

Collocations

Many words have well-known travelling companions – common collocations, as linguists say. These are a word’s circle of close friends. There are dictionaries of collocations, often meant for students of English to help them know how to match their ties and socks, so to speak; there are also corpus databases that list words that tend to show up more often with them. Here are some results (mutatis mutandis) taken from www.wordandphrase.info:

dude: cool, fucking, sorry, funny, awesome, skinny, tall, like, weird, straight, ranch, dude, surfer, shit, fuck, chick, Chicano

fellow: senior, young, old, little, poor, visiting, postdoctoral, fine, nice, honorary, research, craft

Cultural references (including quotations)

Some words have the ability to call forth films or books or historical moments. Berliner can make a person think of Kennedy; cheeseburger can make many people think of endearing kittens with captions; frankly can call up Gone with the Wind. Traditional sources such as Bartlett’s should be complemented with current culture resources such as knowyourmeme.com and the auto-complete in Google searches (which can also be good for collocations). Note that fellow (noun) may arguably call forth references to fellow (adjective).

dude: Jeff Bridges as “the Dude” in The Big Lebowski (quote: “The Dude abides”); Dude, Where’s My Car? (movie); “Dude Looks Like a Lady” (song)

fellow: “Hail fellow, well met” (Jonathan Swift); “Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy” (Shakespeare); “fellow traveller” (mid-20th-century euphemism for Communist sympathizer); “Write me as one who loves his fellow-men” (Leigh Hunt, “Abou Ben Adhem”); “my fellow Americans” (standard in US political speeches)

Etymology

Etymology is not inherent in our experience of a word; many people are quite oblivious to where their words come from, even as many – often some of the same – have the mistaken idea that a word’s “true” meaning is determined by its “original” meaning. But if you have an idea of a word’s origins, it will influence how you think of the word. This is true whether your idea is accurate or inaccurate. The words picnic and nitty-gritty are poisoned for many people who have false beliefs about their origins; the same people would never use bulldoze again if they knew where it came from – but most of them don’t. Many dictionaries supply etymological information, so I invite you to look it up on your own! And you will find that sometimes not all that much is known.

Rhymes and other echoes

Words will make us think of other words. Not just synonyms, which thesauruses and some dictionaries handily provide. And not just rhymes, which have their own dictionaries. There are other echoes that may contribute in some measure to the effect of a word – words that the word has some resemblance to in sound or appearance. Some non-rhyme examples:

dude: dud, dead, dad, deed, pube, dada, dildo, doobie, redo, stupid

fellow: fallow, follow, fuller, filler, fell, fail, allow, hello, willow, well, low, flow, cellophane

Phonaesthetics

And then there’s the issue of the aesthetic effects of sound qualities, still a bit controversial, but some effects are well known, such as the association of high front vowels with smaller things.

dude: The main vowel sound is a low, hollow sound (it has the lowest resonances of all the vowel sounds), often associated with dullness and stupidity; the d sounds are not as crisp as t sounds but are on the tip of the tongue, which makes them comparatively light.

fellow: The e is fairly open and bright, while the l is soft and liquid, and the f is the quietest of the fricatives; the final ow is darker and more withdrawn but allows sustain.

Obviously a dictionary that included all of this would be rather thick, and would take a long time to put together. Some of it might benefit to some extent from a wiki-style approach, though one does have to be careful. But any added attention to these aspects of how a word communicated would help us all be more fully conscious and engaged users of the language – and would surely make our words more delectable.

Repainting birds

There’s been a discussing among some of my fellow editors in recent days about a word – the word complicitly – seen in a document. Should it be changed? But why? Well, it’s not in the dictionary. (“Which dictionary?” is of course another question.) But it fits in the sentence and there’s no problem understanding it. But it’s not in the dictionary! Maybe we should rewrite the sentence to be safe. Etc.

The is the point where I sigh, roll my eyes, and tell a little story.

A guy painting pictures and feeding the birds in a park sees a bird land near him and come up for some food. He doesn’t normally see birds that look like this one. He looks in his field guide to birds and it’s not in there. There’s one that looks like it but has yellow streaks on its wings. So he paints yellow streaks on the bird’s wings before feeding it. Of course, now the bird is going to have some social and aerodynamic problems, but at least it’s a real bird now.

I trust you see what I’m getting at.

Dictionaries are like field guides. They’re not legislation. They tell you what you can see in the wild, but they’re not always exhaustive, and they lag behind reality. We’re editing. We do what we do to enable and enhance communicative effectiveness. We’re not repainting birds.