I grew up in houses, which are about as apart as a dwelling place can be, especially when they’re far out in the country with no one else in sight. Now my wife and I live in the city, so far downtown that downtown is up, with people living all around us, hundreds of them even within wifi radius, and somehow the space we have walled off for us in the middle of all that is an apartment. You’d think they might call the whole building a togetherment, but no. Well, each unit is its own little world, set apart from all the others, except for the noise that leaks through the ceiling, floor, and wall from those on the other side.
Anyway, here’s a poem, in fairly free verse.
Come in, welcome, let me
show you around. This
is the front door closing behind you and
this is the front closet, where
we keep a thousand pounds
of coats, but half of that
weight is dust and dead bugs.
If you push to the back of the closet,
far beyond the jumbled
stack of suitcases and tubes
of awkward wrapping paper, and step
where no foot has set in a decade
and shove through the fabric, you
will enter a different world—
of dead bugs and dust and wall.
And the stacks of boxes will all
collapse behind you and bury you.
Don’t go in there. Come.
Ahead is the door to the bedroom,
where you do not belong. This way.
Here is the guest toilet, with the tap
that is easy to use, except
if you are that one person for whom
it will always fall apart suddenly.
The walls in here are red, as red
as fresh blood, and I recommend
that if you shut the door, you
keep your eyes shut too. No,
we didn’t paint it that colour;
it was the previous owners.
Here is the hall and here
is a cute door that you must
never open, because—wait—no—
oh, ha ha, just kidding, it’s
our washer and dryer. Moving on.
Ahead is a view of the city,
as much of it as you can see,
which is about three blocks, because
all the other buildings
around us are taller. But
if you just press your face
against the window, you
can see the tower. Wait.
Here, this is paper towel
and this is Windex. Please
remove the greasy faceprint
you’ve just made on the glass.
Through that sliding door is
the little solarium, which
is small and contains nothing
that would interest you, just
cameras and boxes and boxes
and chairs and papers. The walls?
Oh, yes, you see that they
are murder red as well. Guess why.
Yes, the previous owners. Move
on, don’t bother, don’t touch that.
You are in the dining room.
You can see that it is part
of the same amorphous space
that is most of the dwelling;
we arbitrarily divide it
into nominal rooms,
each a part apart of apartment,
like Europe divided from Asia or
work time from happy time or
joy from terror, pet
from meat, head from neck.
Oh, now you’ve stepped
out of the dining room. Oh,
now you’re back in. Do you see?
Imagine a line from this shelf
to this liquor cabinet that
is next to my desk here. Look,
this matters. You should always
be able to say where you are. Here,
have a drink. Step this way.
And here, as you pass between
the computer desk Charybdis
and the Scylla of chaise longue,
is the library, so called
because obvious reasons.
Here, sit down, have a chair
that I’ve dragged from the dining room
to set your drink on. Good.
Sit on the chaise longue. No,
you can’t sit on the big
Why? It’s mine. Sit. Drink!
The wall? Behind the books? You
can see it? Oh. No, heh, that
was the previous owners.
Sorry, I don’t know. We still
get mail for them, all these
dozen or so years later. Huh.
As you can see from your seat
on the chaise longue, over here
is the kitchen: where the magic
happens. No, no, stay there.
Yes, iron pan, yes, fridge, yes,
knives, only the best, you know,
and behind all those jars are jars.
No. Stay there. You can hear me
well enough as I cook.
There is one thing you should know
about my kitchen, and that is
Say, if you’re getting bored
with the view of my three thousand books
while I whip up dinner for you,
here’s a special treat:
let’s go see the view
from the bedroom window. No, really.
It’s OK. I’ll go with you.
Why is that door open?
Yes, still the washer and dryer.
Here is the bedroom, and as
you can see, it is facing the other
way. Ignore those books. Yes,
there is a bed under all that.
Here is the window. See? There
is the island, and the tracks,
and the freeway, and the holes
in which they are going to put
more huge buildings. Yay.
In there is the master
bathroom, but wait, no,
don’t look, it’s, no, wait,
no, you don’t, ah, no, well,
yes, as you can see, there is
a shower and a separate tub,
and some shelves and dust and a sink
and, oh, that wall? Sorry, that
was the previous owners. Now
do come have a sit
and let me refresh your drink
and I’ll go cut some things.